5 Worst Timothée Chalamet Movies, According To Rotten Tomatoes

Timothee Chalamet has become a big problem in the last decade. With two nominations of the Oscars and a constantly expanding list of excellent films to his credit, the actor posted his talent in a wide range of roles which range from reading Bob Dylan in “A Complete Unknown” (2024) to play as Paul Atreids in Denis Villeneuve “Dune” Films and Gene Wilka and Johnny Depp (2023). It is a lot, especially of a young actor who seems intended to shoot in major roles for many decades to come.

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Everyone from Chalamet is a great way for a film fan to spend a few hours stuck to their headquarters. However, few prolific actors can maintain a perfect victories record throughout their careers, and even as a success that Chalamet has a few films less than beloved in his CV. Here is an overview of five of his worst films, according to Rotten tomatoes.

As a Woody Allen film of the past few days, “A Rainy Day in New York” (2019) cannot help being compared to some of the filmmaker’s best rhythms. Even without the reputation of formerly allegedly – tarnished by allegations of sexual abuse of his adoptive daughter, Dylan Farrow – at stake, we can say safely that the film does not cut it.

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“In Rainy Day in New York” stopped by Amazon in 2018 after the accusations resurfaced with the #MeToo movement, and only obtained a limited American theatrical outing in 2020 after having already done the tour in other parts of the world. But again, even by arousing his troubled history, this is understandable. “In Rainy Day in New York” appears to be warmed remains of the best work on the theme of Allen’s New York. However, this cannot be blamed at Timothee Chalamet, who directs the history of the love triangle as a somewhat optimistic Allen stand-in, with the required discomfort and a nifty “Annie Hall” tweed jacket.

Allen’s films tend to be well sunk, and with names like Chalamet, she Fanning, Selena Gomez, Diego Luna and Jude Law, “A Rainy Day in New York” is no exception. However, despite the talent involved, the style of the film eclipses its substance well, which leaves it with a tomatometer note of only 47%.

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“One & Two” (2015) was the first film by Timothée Chalamet after his appearance as a young Tom Cooper in “Interstellar” by Christopher Nolan (2014). Although it has a much more important role in this fantastic thriller (which, moreover, was the first and, to date, only produced and written by “The Green Knight” and the filmmaker “Moon Knight” Andrew Droz Palermo), the film did not have a similar impact.

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“One & Two” revolves around Chalamet and Kiernan Shipka. The two play Zac and Eva, two brothers and sisters with the mysterious teleportation capacity that live in a closed farm complex with their cruel father (Grant Bowler) and Mother (Elizabeth Reaser). Ethereal and disturbing, “One & Two” has a lot of mysteries and some surprises in its sleeve. Unfortunately, many criticisms have estimated that the film’s script could simply not correspond to its atmosphere and that the story is short of steam.

The score of the 47% independent film tomatometer means that it has the same critical consensus as “a rainy day in New York”. However, “One & Two” has a popcornmeter rating with a considerably lower audience (35%, while “A Rainy Day in New York” is 56%), so overall, the film is more disappointing at the end of the spectrum of the film Chalamet.

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2017 is easy to identify as a major revolutionary year by Timothee Chalamet thanks to his two nuanced catches of the archetype “Young Rebel”: his nominated Oscar turn like Elio in “Call Me By Your” and Kyle Scheible in “Lady Bird”. Due to the great appreciation, these films won the young star, it can be easy to forget that two other Chalamet films were released that year. One of them is “hostile”, the Christian Bale Western directed by Scott Cooper in which Chalamet appears as a private young person in the service of the captain of Bale and is, certainly, somewhat lost in the casting of the well appreciated film (who includes people like Rosamund Pike, Wes Studi, Stephen Lang and Jesse Plemons). The other is “Hot Summer Nights”, that Rotten Tomatoes classifies the third film by Chalamet.

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Chalamet filmed the “Hot Summer Nights” of the writer-director Elijah bynum before his two most famous 2017 films, but it was created after them, which means that his 46% Tomatometer note has slightly understood his year otherwise stellar. The film is a fairly simple hug “The children of the 1990s put themselves too much above their heads” where the young Daniel de Chalamet is stuck to spend his summer in Cape Cod, to befriend Hunter (Alex Roe) and is tangled in the local drug. It is not a bad Film, in itself – just very, very by figures.

If a fan of Chalamet is short of films to watch, criticism should not necessarily be a deterrence. The young actor does a good job here, and knowing how high his star has increased since the first “Hot Summer Nights”, he can be a good time before the public has the chance to appreciate him in a film as happy as that.

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In “The Adderall Diaries” of the writer-director Pamela Romanowsky, Timothee Chalamet plays the younger version of the troubled protagonist of James Franco, Stephen Elliott. Based on a real crime style memory written by real life Elliott, the drama of 2015 is a story on a writer whose new book project – a biography of a successful programmer named Hans Reiser (Christian Slater) – turns into a real crime project when Reiser is suspected of having murdered his wife (who suddenly disappeared). As the trial for murder of Reiser approaches, Stephen has to face his abundant personal problems, in particular the benefits of his father (Ed Harris) returning to his life to challenge the version of their family history that Stephen describes in his own memories.

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It is the kind of mysterious misty, winding and multilayer tale that has all the heads of an excellent Mindbender A24. Unfortunately, “The Adderall Diaries” ended up not being below its noble aspirations and has a tomatometer note of only 26%. Several criticisms have stressed that the film lacks cohesion and does not captize the spectator, leading to a disappointing experience.

So, yes, 2015 was not A happy new year for Timothee Chalamet. His third entry and easily the least rated on this list is “Love the Coopers”, which also happens to be the third and last film by Chalamet which was created in what is easily the worst year of his “interstellar” career.

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In the defense of Chalamet, “Love the Coopers” is not really an experience of Timoté Chalamet marquee. He appears only in the relatively small role as Charlie, a young member of the Eponymous Cooper family. Written by Steven Rogers and directed by Jessie Nelson, “Love the Coopers” is a Christmas film on a large controversial family that gathers for the holidays in a predictable chaotic way.

The film presents a distribution of stars which includes actors like John Goodman, Diane Keaton, Marisa Tomei, Anthony Mackie and Olivia Wilde, but the whole is a little less than the sum of her games. “Love the Coopers” was widely turned by criticism and has a lamentable Tomatometer score of 18%. This makes it from a distance the least appreciated by Chalamet, at least with regard to Rotten Tomatoes. However, the actor’s fans might want to discover his extremely relatable performance as a nervous and nervous adolescent trying to impress a girl.

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