Now in its 63rd year of existence, the James Bond franchise has experienced its share of turbulence, but although all of this has managed to adapt its formula at the time constantly evolving without losing its sense of old -fashioned pleasure. Even when an individual film does not deliver the goods (for example, “the diamonds are forever”, “the man with a golden pistol” and “die another day”), fans are always guaranteed by the exaltration of Globetrot – Whether captivating or clumsy – several of several of the major action documents are filled with practical cascade work. The spectator also knows that there will be a range of new gadgets, and it can be quite certain that Bond will associate with a magnificent magnificent foil which, now that we live in more enlightened moments, will prove all its equal in the department of combat.
There is also a pleasant feeling of continuity with the actors. From Sean Connery, Bond aficionados came to love actors like Bernard Lee as M, Lois Maxwell as Miss Moneypenny and Desmond Llewelyn as Q – and when these actors withdrew from their roles, They tended to grow from their successors. Obviously, most franchises have a stable company of actors, but there was something charming picturesque on the deployment of watchmaking of its characters in stock. They did not often play a huge role in the current plot, but Bond could not do his job without them (even if he generally did their More difficult to do jobs).
Among the many familiar faces of the series, there are two which were recognizable in considerably different roles. In a film, they played a leap ally, while in another, they were trying to kill him. Their double casting is doubly interesting because they were not / are not known for their talents as a chameleon type actor.
Charles Gray has portrayed a colleague from Mi6 and Blofeld
When Charles Gray was interpreted as the agent of the Mi6 Station on Tokyo Dikko Henderson in the fifth adventure on the big screen of Bond, “You Live Twice” of 1967, he was content with what was going to become a successful career career . Given that viewers at the time did not make a sure meaning of himself as a representative of somewhat steep and unofficial types (especially in 1975 “The Rocky Horror Picture Show”), they were not thrown for To see him play with resolutely more it is pleasant – although one wonders throughout the distance that Connery’s link can trust his colleague from the Mi6. It turns out that he can trust him in his life because poor Dikko sacrifices his during the 007 mission.
For those who watched the films of Bond outside the chronological order and checked the first time “Diamonds Are Forever” from 1971, Gray’s appearance is particularly shocking because he played the Blofeld in Armedy of the character in The last episode. In this case, the spectator’s first instinct is that the Dikko shooting should be binded the second where he crosses the door (which is a distinct possibility until the latter establishes his identity), and it is a testimony Gray’s efficiency as Blofeld in a very bad film which he never makes the public fully comfortable on subsequent views.
Joe Don Baker has gone from the deadly weapon dealer to CIA trust contact
Although Joe Don Baker has become an American film star as the real sheriff of Crusade Buford T. Justice in the surprise of the Phil Karlson box office in 1973 “Walking Tall” and a feeling of cult film in good faith in As long as the legislative holder of the Villéré MST3K “Mitchell” actuator, the Texan on the wide shoulders seemed always more to the house giving off the House, of the threat of *** Kicker in films like “Fletch”, “” Junior Bonner “and the classic neo-black of Don Siegel” Charley Varrick “. Unfortunately, the Bond franchise had already done and had been noisily ridiculed for having introduced a dashing character in the south into his rare universe (via the hay sheriff of Clifton James JW Pepper in “Live And let die “and” the man with the golden gun “), no one had a reason to believe that the series could find a house for an actor so distinctly hard.
This made Baker Curious, but surprisingly, a cast for the role of the arms dealer Brad Whitaker in the first Bond film by Timothy Dalton, “The Living Daylights”. Crop stated properly and dressed in an intimidating hilarious authoritarian uniform which would have seemed to break on Idi Amin, Baker Slathers on wickedness and only celebrates when he is finally dismissed through a miniature battlefield representing the madness of Waterloo. It is an appropriate outing for a fiercely horrible character.
It was so vile that Whitaker that he was strange to see him appear as the CIA agent in a good mood Jack Wade in “Goldeneye” of 1995. Broken in front of Pierce Brosnan in his first round 007, Wade is a shooter as straight as a ghost, and he was so well suited to the game that the Bond team brought Baker / Wade for the next film, “Tomorrow never dies.” Baker may have made its name by playing the guys from the southern ruffled, but still well cleaned for the Bond franchise.