Every The Simpsons Episode Written By Conan O’Brien, Ranked

“The Simpsons” is one of the most beautiful American institutions – and today, one of its most reliable. Even after 36 seasons, the longest television series the longest continues to produce timeless half-hour episodes (and the occasional special special) that show why it deserves to be there after so long.

Of course, there is always the crowd “This show was better in the crowd of the 90s which cannot dare to imagine more recent episodes being anything but garbage. However, they have a point. The previous seasons of” The Simpsons “were not only meticulously written and impeccably timed, but they have a great animation and a phenomenal writing of characters. List of the best episodes “Simpsons” is mainly made up of seasons 4 to 6 episodes.

Among the best episodes, a common element that appears a lot in this list (at least in episode credits) is the name Conan O’Brien, the other most reliable institution in America. The actor, host, actor and writer organized one of the most funny Oscars of recent memory, and for many decades, he was one of some incredibly well -made comic projects, his days writing for “Saturday Night Live” to his recent travel show “Conan O’Brien Must Go”.

Little has had such an important impact on pop culture as “The Simpsons”, so Conan’s work on the program is classified quite high in terms of the inheritance. In addition, they are all very good episodes (and a few big ones of all time). Whether you are on stage in your trip “Simpsons” that you start to specifically review the episodes depending on the writing or realization of credits, or whether you are on a post-oscars of Conan and that you want to revisit some of its best work, we classify each episode of “The Simpsons” written by Conan O’Brien. Unfortunately, there is an episode that he can never do: a series of “Stark Raving Dad” for which Conan rewritten and would be supposed to be centered on Prince. But let’s go in the episodes that we had the chance to get from the actor.

There is a lot to love in this episode. The segments are great, with “Homer vs the Devil” being the best in all “Treehouse of Horror”, and the references are hilarious and creative. However, this episode ranks the lowest simply because Conan O’Brien was not so involved this time. The actor already working on “Late Night on NBC”, O’Brien only wrote the enveloping segments in which Bart walks in a gallery of frightening paintings and presents each new segment.

The envelopes are funny, especially the first where Marge rumbles Bart so as not to warn people of the horrible and bloody nature of the stories that they are about to watch. The visuals of frightening paintings give the episode a unique aspect of endless imagination, and Bart as a sorring rod serling style is fun to look. However, the best parts of the episode do not really imply O’Brien, so it goes at the bottom of the list. On better things …

Most of the first “The Simpsons” treated Bart as a joker, an often boring child who nevertheless stole the heart of America with his excess of attitude and liners. Subsequent seasons began to reduce Bart to a Satan Frai. However, some of the best episodes of the show treat Bart as a defective, vulnerable and eternally 10-year boy (at least to the final of the possible series) who always learns about himself and the world. Such an episode is “New Kid on The Block”, an episode that highlights both Bart’s naughty aspect and also his emotional side as a writer Conan O’Brien plays with the heart of the public in a story on Bart having the crush for her new funny bad girl, Laura.

Bart completely changes his attitude and behavior (temporarily and not very really, of course) and shows great emotional vulnerability during the interaction with Laura. There is even a great dance sequence where Bart and Laura are transformed into Fred Astaire and Ginger Rogers. Then, O’Brien pulls the carpet under the audience and tears Bart’s little heart when Laura reveals that she is actually going out with the local intimidator Jimbo Jones. It is a big episode that reminds the public that Bart is still only a child with a big heart.

Meanwhile, the funniest part of the episode involves Homer in classic “Simpsons” shenanigans that you can apply and cite in daily situations. This time, Homer goes to an unlimited seafood joint and continues the restaurant for having been expelled while being hungry (after devouring each article from the restaurant). It is absurd, ridiculous and completely hilarious.

Like Bart, Homer has been mainly reduced to a single line over the years. The man who was once a father of three children in the relatable middle class with defects, but a well -intentioned heart has ultimately become the most stupid guy with little in terms of buy -back qualities. This makes episodes like “Homer Goes to College” all the more special, because they understand the fine balance between making Homer stupid but relatable rather than making him a completely useless fool.

When he becomes clear Homer is not qualified to do his nuclear security inspection work, he is forced to go to university to study nuclear physics. The episode sees Homer to his most childish and the most immature, while he spends most of the episode acting like the character of John Belushi in “Animal House”, shouting “Nerd!” In the first person, he sees the campus, making pranks and disrespecting everyone.

And yet, even if Homer is literally the target of many jokes (including being literally a little in the buttocks by a bee), he also has an emotional arc this episode because he really cares about the Nerds that tut him, as well as the importance of education. Watching Homer passing to believe that his lived experience makes him better than younger academics to his soul crushes at the first conference is deeply relatable and sincere.

This is the last complete episode that Conan wrote, and he was released on a large summit. Apart from writing, this episode provides peak poses and expressions. From his sufficient face while he tells in the course that he is an expert in nuclear physics, to his change “I am so intelligent” while the wall behind him burns, there are a lot of hilarious “hilarious” moments here.

That’s it. It is the best episode of “The Simpsons”, the episode that Conan O’Brien himself said will be the thing that people remember the most of him – and for a good reason. Originally from O’Brien’s love for “The Music Man”, the episode is part of a broader change in “The Simpsons” which goes from a relatively anchored and simple satire of American life to a surreal world which takes full advantage of the animation medium. The rules do not apply here. And everything is going for as long as it’s funny. A fantastic sequence where Skinner is cut in half by giant mechanical ants? You have it. Escalator in nowhere? Why not. Leonard Nimoy gives a tripping speech? Of course.

This episode has everything, exciting too many jokes and gags in a short term which is impossible to cover them all here. What starts as a direct story of a crook (Phil Hartman delivering a perfect performance) which convinces the notoriously stupid people of Springfield to invest a fortune in a unnecessary monorail song descends in chaos, first in the form of a phenomenal song, then in a scenario of “speed” and a stunt of large jokes. There is the piece of “Batman’s a Scientist”, Homer becoming a family of opossums to the car of the conductor (“I call The Big One Mitey”), and much more.

And yet, once again, Conan knows how to balance jokes with heart. Even if Homer is extremely stupid in this episode, there is something sincere and sincere how happy Homer is that Bart is proud of his new job as a monorail conductor. It is the heart of “The Simpsons” and why it lasted so long. In all the jokes, the surreal moments, the more and more caricatured reality, there is a program on a family that does their best.